Transcript [00:00] here. Okay. [00:00] >> Are there any uh Can you read them, [00:03] Terry? I mean, uh Jackie, can you read [00:05] anything? [00:06] >> I can't really see. I love this episode. [00:08] >> Look up your daughter's name. [00:09] >> Yeah. Well, Terry's her mother. [00:10] >> Love this episode of Kill Ton. Kill [00:13] what? [00:13] >> Kill Howie? [00:14] >> Kill Howie with Tony as a special guest. [00:16] >> See? Kill Howie? [00:17] >> Well, that's I don't know what that [00:19] means. [00:20] >> He made the show less enjoyable for me. [00:22] >> Oh, there it is. [00:23] >> Tell me about it. [00:24] >> Wait, that's first? [00:25] >> Wait, I just saw that's you. That was [00:27] you that commented. [00:28] >> Really? [00:30] Really? I'm convincing. [00:31] >> There you are. Eric Wilder. [00:32] >> It might have been me. [00:34] >> Oh, yeah. [00:34] >> Let's see. [00:35] >> What? What do you got? Find some [00:37] >> How's giving 3:00 a.m. Coke House vibes. [00:40] >> Well, hey, that's fun. [00:41] >> Is that good? [00:42] >> I mean, yeah. Have you been to a Coke [00:43] House at 3:00 a.m.? No. There's a lot of [00:45] dancing, a lot of good ideas. [00:46] >> No. 3:00 a.m. Coke House, I would [00:48] imagine, is like everybody's Is that [00:50] what it is? [00:51] >> Yeah, it's a good time. [00:51] >> You've been to a Coke House at 3:00 a.m. [00:53] >> When else do you go to a Coke House? You [00:55] don't go at noon. [00:56] >> Who goes to a Coke house? Usually a [00:58] crack house. Well, crackous are a whole [01:00] different neighborhood. [laughter] [01:02] >> What the heck? [01:02] >> Why do you That's my daughter. [01:03] >> Crack house is just a party. [01:04] >> I know. We met before. There you are. [01:06] Yeah. You were over. You were in the [01:08] warehouses in Windsor, weren't you? [01:10] [laughter] [01:10] >> All right. I grew up in LA. [01:11] >> Let's see. We mean more mean stuff. [01:13] >> Mean more mean stuff. Come find me. [01:15] >> These aren't that bad, dude. [01:16] >> No, I know. He's not two fingers. What [01:18] do you expect from him? [01:19] >> Someone else. You have to read it, Dad. [01:20] I'm not wearing I don't [01:21] >> Okay, hang on. I'll read it. I'll read [01:22] it. Hang on one second. [01:23] >> Now he's that drunk father that never [01:25] stops talking about nothing. Okay, [01:28] >> there we go. Jeremy, you keep reading [01:29] them. [01:30] >> Dad, it could be worse. [01:30] >> Yeah, dude. These are not [01:32] >> that drunk father that never stops [01:33] talking about nothing. [01:34] >> Howie stepped on every single thing he [01:36] could. [01:36] >> There's a lot of bugs and rats. [01:38] >> No, that I mean Okay, go ahead. What [01:41] else did I do? [01:42] >> Howie actually made me giggle here. [01:44] Don't know what other comments are on [01:45] about from Howy Mandel. [01:47] >> Oh [laughter] [01:49] >> Did he just thumbs down that? [01:51] >> What are you doing? [01:52] >> He's commenting. Don't I'm not asking [01:55] you to read. [laughter] [01:56] Stop making [01:58] >> Wait, are you guys writing these [01:59] comments? [02:00] >> Are you on his account? My dad's [02:03] account? No, [laughter] [02:04] >> it's Hold on. Go back up. It's not good [02:06] when you can when they're kind of funny. [02:08] With Howie, every silence is [02:10] comfortable. [laughter] [02:12] >> That's pretty good. [02:13] >> That's pretty good. Japan 92. [laughter] [02:18] >> I do. They're But I don't like that the [02:20] horrible comments are funnier than I've [02:22] ever been. [02:22] >> That's not true. [02:23] >> I think it is. These people are [02:24] forgetting about Bobby's world. [02:26] >> Well, so that's your comeback to me is [02:29] that I was good 30 years ago. [02:31] >> Not good, Seinal. Definitive. A voice of [02:33] a youthful generation. [02:35] >> And then 30 years has gone by and I'm in [02:37] that comfortable silence. [02:38] >> Well, no, you're not. You're on like [02:40] every TV show made. If you look at [02:42] television, it's like you and Blueb [02:44] Bloodoods, and that's all that's left. [02:45] >> I think people have [02:46] >> Me and Blue Bloodoods. [02:47] >> Yeah. [laughter] [02:48] >> Yeah, man. You're keeping an entire [02:50] medium afloat. [02:51] >> This is my take on comedy. I think [02:53] people have a problem with comedians [02:54] that quote unquote sell out that are [02:57] like on AGT or whatever and are [02:59] familyfriendly and then also go and do [03:02] comedy and have like two different [03:04] personas. [03:05] >> Yeah. [03:05] >> And I feel like people have an issue. [03:07] >> These are dead eyee nihilists that [03:09] you're worried about the opinion of. [03:11] >> No, but I I have fun going to the I go [03:13] like I'll go like after this I'll head [03:15] over to the laugh factory. [03:17] >> All right. [03:17] >> You know, and then and I like those [03:19] places. [03:19] >> You mean the replica you built in the [03:20] warehouse or you going to the real one? [03:21] [laughter] [03:23] where they put their phones into into so [03:25] that I can keep my job where I sold out. [03:29] You're going to go pee. [03:30] >> No, I'm trying to get comfortable. I [03:31] hate the setup and I keep looking at my [03:33] >> Come over here. [03:34] >> No, I just sit with Sam. Sit with Sam. [03:36] >> No, I'm good. [03:37] >> Sit with Sam. All right, never mind. [03:38] >> I like my space. [03:39] >> I understand. I take up a lot of it. [03:41] >> I'm trying I'm just not anymore. Not [03:43] anymore. [03:47] [music]
