Transcript [00:00] One of the reporters at the Washington [00:01] Free Beacon published a story about the [00:03] first lady of New York City, and I just [00:04] love this. Her name is Rama [00:07] Dwaji. [00:08] She's an illustrator. I didn't know she [00:10] was an artist. What a surprise. What a [00:13] surprise. An artist being a socialist. [00:15] Huh, who would have seen that coming? [00:17] She's married to Mayor Zohran Mamdani. [00:21] And in April of 2024, she sat in front [00:24] of a camera and animated a portrait of [00:26] the man she said inspires all my work. [00:29] All right, who is it? [00:31] Who is it that inspires all of your [00:33] work? [00:34] >> [snorts] [00:34] >> I tend to look for people who aren't [00:36] killers, myself. You know what I mean? I [00:38] try I try to look for people who are [00:40] not, you know, [00:42] really heavy into the dark side. But, [00:45] hey, I'm not an artist like she is. [00:49] Okay. [00:51] In the video, she describes him, cuz he [00:53] just died, [00:55] as a with pride, as an artist of the [00:59] Intifada. [01:00] And she also mentioned twice, "And he's [01:02] been jailed twice. Makes him gritty." [01:06] Now, the second Intifada was blowing up [01:09] buses and cas- cafes, okay? Pizza parlor [01:12] in Jerusalem, you know, all of the [01:14] places that you think, "This place [01:16] should be bombed." [01:18] More than a thousand Israelis dead, most [01:20] of them civilians. But, she's proud of [01:22] him. [01:24] Free Beacon went through his own pages [01:26] on October 8th, 2023, hours after Hamas [01:28] butchered 1,200 people. He posted his [01:31] painting of a fighter with a rifle, and [01:34] the comments were all filled with [01:35] suppla- with applause. And then earlier, [01:38] he called the founder of Hamas [01:41] hero, a hero. In fact, all of them are [01:44] heroes. I mean, that's what he said. [01:46] They're heroes. Really? [01:48] The guy who planned October 7th, [01:51] he stood in front of a banner copied [01:55] from one of his paintings, and thanked [01:57] Iran for the money and the weapons and [02:01] Monsieur the artist said, "Well, it [02:02] doesn't bother me. Oh, yeah, I'm glad." [02:05] Wait. [02:05] Okay, hang on. [02:07] Do you imagine you're standing there and [02:08] you're giving a speech [02:10] and [02:11] or no, wait, you're an artist and [02:13] somebody's giving a speech and they're [02:15] like, "And I want to thank Adolf [02:16] Hitler." You'd be like, "Can can [02:17] somebody take the art behind them? [02:19] That's my art. I don't want that." No, [02:21] no. He did the opposite. In fact, [02:23] speaking of Hitler, in 2015 he posted a [02:25] painting by Adolf Hitler and said, "Look [02:27] at his technique." [02:29] He's the first guy to say, "You know, he [02:31] wasn't that bad of an artist." Okay. [02:34] >> [snorts] [02:34] >> In February 26, well, maybe [02:38] I got to say it now. Maybe Tucker [02:39] Carlson has said that, but I don't know [02:41] anybody else. Anyway, in 2016 he shared [02:44] a link claiming the diary of Anne Frank [02:46] was a was a fake. [02:48] >> [snorts] [02:49] >> And it was written by an American Jew. [02:53] Okay. So, I don't know. I don't hold [02:56] this guy up as, you know, the reason I [02:58] paint. [03:00] Uh but then again, I'm not married to [03:01] Zoran Mamdani, [03:03] you know? [03:04] Um I have spent a good portion of my [03:06] life now. [03:08] Gosh, almost half of my life collecting [03:11] documents and letters and originals. [03:14] And not because paper is valuable. It's [03:15] really not. [03:17] Um it's because paper and documents are [03:20] the last true witnesses. [03:24] I don't collect documents of people that [03:27] say, "Oh, I know 100 years ago this guy [03:30] said I connect I collect the document of [03:33] the guy who actually said it 200 years [03:37] ago." [03:38] You know, when everyone else in the room [03:40] is gone, the paper is the only thing [03:42] that is left to say what actually [03:45] happened. [03:46] And the first thing every liar in [03:48] history goes after is the witness. [03:50] That's why they're going after our [03:51] history. [03:54] You know, lies have birth certificates. [03:57] So, what was the last lie he said? The [03:59] last lie he said it was an American Jew [04:00] that wrote the diary of Anne Frank. [04:02] Okay. [04:03] And I've got to I swear to you I'm going [04:04] to come It's going to come back to Mom [04:06] Donny's wife. [04:08] This story is incredible. [04:10] Uh the American Jew in the story is a [04:12] real man. Okay? Meyer Levin, I think. [04:16] He was a novelist from Chicago. He was a [04:18] war correspondent who was there in 1945 [04:21] when the camps were opened. Okay? He was [04:23] there. [04:24] A few years later, he read a French [04:27] translation of the diary kept by a Dutch [04:29] girl in the attic and he couldn't let it [04:31] go and he was like, this is the greatest [04:33] thing I've ever read. [04:34] He wrote a review in the New York Times. [04:36] That's what helped make it a best seller [04:38] in America. Well, he wanted to write a [04:40] play. [04:41] Anne's father, Otto, chose other [04:44] writers. [04:45] So, he sued [04:47] uh and he said they had taken his ideas [04:49] and the jury awarded him $50,000. [04:52] Now, for the play, two men who uh who [04:55] both loved the book were fighting over [04:57] who is going to put it on stage. [05:00] Within a couple of years, pro-Nazi [05:01] pamphlets in Sweden and Norway had [05:03] turned this whole thing inside out. [05:07] A Jew had been paid $50,000. [05:10] For what? For writing the diary. [05:13] Same number, same names, but a new twist [05:16] on the story. Let's leave out the stage [05:19] play. [05:20] The man who's who was the loudest [05:22] champion of the diary in America was now [05:26] the forger [05:28] of Anne Frank's diary. [05:30] Otto Frank was the only one of the eight [05:33] people in that attic who came home and [05:35] he spent the rest of his life in [05:37] courtrooms defending his daughter's [05:39] handwriting. When he died in 1980, he [05:42] left the notebooks to the Dutch state [05:45] and the Dutch treated them like evidence [05:47] in a murder case. So, he dies and [05:49] forensic experts come in, they test the [05:51] paper, the ink, the glue, the [05:53] handwriting, letter by letter. The [05:55] famous ballpoint ink that deniers love, [05:58] you know, turned up on a couple of loose [06:00] slips tucked in decades later, not in [06:03] one line she ever wrote. So, after 6 [06:07] years [06:08] in 1986, the verdict comes down, she [06:11] wrote it all, every word of it between [06:13] 1942 and 1944. [06:16] The deniers also love that there's two [06:18] versions of the diary. [06:20] They're two versions because of a radio [06:22] broadcast. [06:23] It was March 1944, the allies were [06:26] coming in, the Dutch minister in exile [06:28] came on the air from London and said, [06:30] "People of Holland, save your diaries, [06:33] save all of your letters, the world [06:35] needs to know what happened." Well, [06:37] she's a 14-year-old girl, she's [06:39] listening in the attic. The next day she [06:41] writes about it in her diary and then [06:43] she begins rewriting her diary so it [06:46] would be ready. [06:48] She knew she was going to be a witness [06:50] and she was preparing her testimony. [06:53] Five months later somebody betrayed [06:55] them, she dies [06:57] in Bergen-Belsen. [07:00] 70 years after that [07:03] the painter who inspired the first lady [07:06] of New York shared a link [07:08] calling Anne Frank a lie. [07:13] Now, [07:14] this guy's best known hanging painting [07:16] hangs in the homes of Palestinians, I'm [07:18] sure that have never hurt anybody. [07:21] You know, an artist can, you know, [07:23] admire another artist's brushwork [07:25] without saying, you know, "I'm a fan of [07:27] everything else Adolf Hitler did." But [07:29] it kind of fits in this. [07:32] She wasn't praising his brushwork. She [07:34] says [07:37] she's praising the Intifada, the fact [07:40] that he fights, the fact that he's been [07:42] in jail. The Free Beacon reports that [07:45] after October 7th, she liked posts [07:47] calling the massacre resistance and one [07:50] calling the rapes a hoax. [07:53] Why did I tell you the Anne Frank story? [07:56] She served dinner at the Gracie Mansion [07:58] to Mahmoud Khalil. [08:01] The only thing she has publicly [08:03] apologized for is a racial slur. [08:06] And her husband says, "Well, she's a [08:07] private person." I'm sorry, she's the [08:09] first lady of the city of New York with [08:11] more Jews in in that city than any other [08:14] city outside of Israel. [08:16] And she lives in the people's house. [08:18] Private stopped being the answer the day [08:20] she moved in. [08:23] That same Anne Frank lie, the ballpoint [08:26] pen and the $50,000, [08:28] I have seen posted by people who call [08:30] themselves conservatives, patriots, [08:32] Christians. Same lie, different hat. [08:41] Lies don't belong to one side or [08:42] another. It belongs to whoever is tired [08:46] of the witness. [08:48] Every genocide commits two murders. [08:52] The first kills people. [08:55] The second kills the memory [08:58] so the first can happen again. [09:02] It never happened. It's not a claim [09:03] about history. It's a permission slip [09:06] for the future. [09:09] We watched the second murder begin on [09:11] October 8th. [09:13] And people are calling the rapes a hoax [09:15] while the killers' own videos were still [09:18] online. This one didn't take 70 years. [09:21] It took a weekend. [09:25] And the only thing for a lie to survive [09:28] is a crowd. [09:31] But the truth only requires one witness [09:35] who will never sit down. That's why I [09:38] collect American history. That's why [09:40] we're building the American Journey [09:42] experience in Dallas. That's why I have [09:45] documents in vaults in the sides of [09:47] mountains. [09:53] Because those documents are the only [09:55] true witness and they will not be [09:58] silenced. [10:01] You know, Anne Frank's not going to go [10:02] away. Girl who heard a voice on the [10:04] radio say someday the world is going to [10:06] need to know and she sat down with a pen [10:08] and she made sure the world knew. [10:10] The Nazis couldn't silence her. The [10:12] pamphlins couldn't silence her and Mom [10:14] Donny's wife can't silence her. [10:17] A German court even proved her. A Dutch [10:19] lab proved her. [10:22] The first lady of New York chose whose [10:24] face to paint. [10:31] But in all honesty, this monologue is [10:33] not about her. [10:36] Because you choose that every day as [10:38] well. With what you share, what you [10:40] like, what you let slide at the dinner [10:43] table, in the office. [10:46] You're painting a portrait of who you [10:48] admire. [10:50] I have to tell you I I do a lot of [10:52] research [10:53] on Claude. [10:56] And [10:57] uh I asked it this morning cuz there's [10:59] this thing going around about how Amazon [11:01] knows everything about you and it's [11:03] crazy accurate. [11:05] And I asked Claude, just based on our [11:07] conversation, I wanted to know what did [11:09] it know of me? Just based on our [11:11] conversations with no public [11:12] information. [11:14] Who am I as a man? [11:17] If you spend time with Claude, you [11:19] should do that. [11:21] You might learn something about [11:22] yourself. [11:23] I did. [11:24] I did. [11:29] Mom Donny painted the man who called [11:31] that little girl a lie. [11:34] I'll take the little girl with a pen. [11:39] Hang her on your wall. [11:45] The truth must survive, and that truth [11:49] you own. [11:50] Not your truth, the truth. You witnessed [11:54] it. You own it. Stand up for it. [11:57] Don't let the algorithm control what you [11:59] see. Subscribe to this YouTube channel [12:01] and get more analysis like this, because [12:04] the only person that should control what [12:05] content you see is you. Subscribe now.
